After the Russian Revolution and optimistic about the newfound freedom, Malevich created a disruptive way to express his art completely unrelated to any external reference and based onpure feeling.
“White on White” presents itself as a rather simple and ironic artwork, portraying one greyish perfectly tilted square on top of what seems to be a striped canvas. On closer inspection, not only do we see the light brushstrokes, but they seem to have been applied in such a way as to make the square to be floating weightlessly and evoking the feeling of tranquility and calmness.
As a new democratic art form was born, critics spared no efforts to call off this movement, claiming that this radical piece was unfinished and could not be called Art at all.
80% Combed Cotton, 17% Polyamide, 3% Elastane.
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Wash inside out (40ºC/100ºF max). Do not tumble dry, iron.
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